M*O*S*H 
December 22, 2010

Mosh pitST. PETERSBURG – We shared moments over the past two minutes as intimate as lovers. And Alex and I were just now exchanging names.

Well, barely. Talking was harder than breathing. And breathing was impossible.

We hunched over, heads bowed, reduced to violent, concussive coughs, trying yet failing to mine some refreshment from this steaming soup. One hundred yards from Tampa Bay and I’m somehow drowning on dry land.

Summertime Florida’s daily visitor was nothing but a frustrating tease, a sick joke. It threatened an appearance, a hope-inspiring glimpse of its slip, so we coveted the darkening clouds, the heat index ramping to three digits.

But no shower today, not a chance, not for us. The cloud cover barely softened the debilitating heat. We knew the truth: We had bowed down to false gods who blared punk rock, and this was our penance. Painful enough in the afternoon, it now was early evening, and the Vinoy Park heat had conquered me.

I spat again.

The hulking Alex Nodderal, at 6 feet 2 a brick wall, got his voice back first – one benefit of being 22 years old. He pulled his West Coast Choppers T-shirt away from his thick chest, analyzed it and, smiling at me, said:

“That blood can’t all be mine.” (more…)

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Lucinda Williams concert review (archives, 2004)
May 20, 2010

ST. PETERSBURG – Six songs into her show Tuesday at Jannus Landing, Lucinda Williams and her band began to hear calls from fans for some up-tempo favorites.

Lucinda Williams

Lucinda Williams

“We’ll do Changed the Locks and Joy,” she responded, chastising the crowd in good-natured fashion. “We’ve got to work up to it. Y’all just chill out.”

Williams didn’t follow with “like us,” but it would have been appropriate. While she performed selections from her remarkable catalog of blues, country, rock and folk songs in fine form, Williams opened the show in such a relaxed manner that some in the packed courtyard grew restless.

Perhaps the crowd’s calls had some effect, because Williams shattered the leisurely tone with grooving renditions of I Lost It, Still I Long For Your Kiss and Righteously, the latter the lead single from 2003’s Grammy-nominated World Without Tears.

(more…)